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Tuesday, August 4, 2026

The Lost Empire (1984) Movie Review

The Lost Empire is a 1984 fantasy action adventure movie written and directed by Jim Wynorski. The film stars Melanie Vincz, Raven De La Croix, Angela Aames, Paul Coufos and Angus Scrimm. Wynorski is kind of a legendary B-movie director now with over a hundred films to his credit but he started writing films like Sorceress (1982) and Screwballs (1983). However, he wanted to move on to directing and got a theater owner to finance his debut film, which was originally going to be tax write off but the producer liked it so much he actually released it. For years it was sort of obscure but recently got a proper release on home video.




When her brother is hospitalized by ninja robbers who steal a magic jewel, Inspector Angel Wolfe of the L.A.P.D goes on a fantastical quest along with her native american friend Whitestar and the rowdy convict Heather McClure. The three infiltrate a religious cult located in an island fortress and fight the ghoulish forces of evil.





When it comes to B-movies that throw everything at the wall to see what sticks, I think The Lost Empire is simultaneously the most well known example of this but also the one that embodies the disjointed feeling you can expect from such a description the least. What I mean is that there is a cohesive throughline in this film, not only when it comes to the plot but also when it comes to the tone and the passionate spirit that you feel while watching it. You can tell this was made by a fan of overtly exploitative and lurid pulp fiction of the cheesy variety. Wynorski himself said that he thought this was going to be his only chance at making a movie so he threw in everything he wanted to see in a feature film. This includes ancient wizards who turn into creatures, ninjas, a prison mudfight, gorillas and a lot of busty women. A lot of odd elements that would come up in his extensive filmography from time to time.





The main trio of actresses are very good in their respective roles, considering this is a Wynorski film you usually assume that they were chosen for their physical attributes instead of their talent but these girls manage to be very loveable and embody their characters with charm and grace, highlighting subtly the archetype they are without overdoing it or coming off as bland. They are perfectly balanced when it comes to their delivery and their demeanor, ending up as believable and more than a caricature. All of them are also badasses and engage in some fearsome combat sequences. Wynorski makes them daring and skilled, having some nice chemistry and a palpable sense of comradery in some of the action sequences.




A good amount of the effects of this film fits very well with the unreal and stylized pulpy atmosphere it creates, some good practical and optical effects that look campy enough to fit but also technically adept enough to impress for the craft or just for the endearing nature of those obsolete tricks. The cinematography is also very solid, this was shot with care for the frame and the space in the shot by Jacques Haitkin, who adds some technical refinement to the sleazy and extravagant images Wynorski came up with.





Some people might have issues with the pacing but it's really not a very long film, it starts off very action-packed and carefully constructed enough to intrigue you even if you are aware that the film engages in some sort of understated self-parody, right from the intentionally silly (in a sly way) opening crawl. I don't think the film feels like a drag but you can sometimes feel like the shots go on for a little too long or that the movie doesn't have enough of a drive or even a proper exploration of a central character to hang onto, but those worries are dissipated by its virtues. 



A highly recommended piece for those who like adventure camp with some exploitation vibes. Fun and deranged flick.


Saturday, August 1, 2026

Slayers Gorgeous (1998) Anime Movie Review

Slayers Gorgeous is a comedy fantasy anime film directed by Hiroshi Watanabe and written by Hajime Kanzaka. The cast includes Megumi Hayashibara, Maria Kawamura, Akira Kamiya, Kyoko Hikami and Junpei Takiguchi. Released on August 1st, 1998, on a double feature with Martian Successor Nadesico: The Motion Picture – Prince of Darkness, it was the very last Slayers prequel feature film to be released during this decade  and it was one of the last gasps of the franchise as it had been squeezed by executives ever since 1995.




Lina and Naga wander around a little town but they are surprised by the attack of a girl riding a gigantic dragon. Lina confronts her but she is stopped by one of the local guards. Turns out the girl riding the dragon is the King's daughter, Marlene, who decided to turn on her family and kingdom when her dad wouldn't give her enough money, using the kingdom's fleet of dragons to her advantage. Lina agrees to help the king stop her but Naga allies with the dragon princess looking to gain something out of it.




Instead of a sprawling adventure with a variety of environments and places we have a very self-contained story secluded to a few locations inside a small kingdom. This is fine as we get a tightly constructed script involving the royal family feud with the help of the girls on each side. Relying more on strategy and the cleverness of each side rather than discovering a mystery or something. Naga joining the villain's side is a bit too automatic though, taken for granted, but coherent if you already know the character. It doesn't even feel like a retreat of Slayers Great because there was more of a motivation there but it still works here as it never goes against what the characters are. It all makes sense.





The combat sequences are more focused and rely more heavily on the characters game plans and the construction of the motion and position of the characters rather than discontinuous shots of violence at a grand scale like other fantasy or action shows do when it comes to storyboarding and direction. In a similar fashion to Slayers Return, we have more intricate action sequences in which the animators can skillfully pull you into the set-piece without lazy bombasticness. Not only that, but the humour is solid enough and is incorporated into the animation with ease, as usual for the Slayers franchise, but because of the purity of the premise it stands out even more in this highly comedic plot that doesn't take itself seriously at all, making fun of itself at every chance.





The new characters are enjoyable and are the perfect comedy fodder that Slayers often takes full comedic advantage of. A spoiled brat like Marlene only could have worked in this series in a way that you both like her and find her brattiness funny and not annoying in any way. They accomplish this by both her well built characterization and her hilarious failures.





A very cool Slayers entry. The prequel movies go out with a bang in this funny and charming little film. Completely recommended.


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