Pages

Showing posts with label heroine spotlight. Show all posts
Showing posts with label heroine spotlight. Show all posts

Tuesday, February 27, 2024

Magician from Mars: The first comic book superheroine

As I mentioned before in this blog, one of the very first female superheroines came to us among the pages of Amazing Man comics issue number 7. Magician from Mars is a very peculiar character, a half-human (mother) and half-martian (father), she developed superpowers after being exposed to cathode rays as a baby. This gave her super strength, the ability to fly, she's super smart and she can make things appear out of nowhere by her will, she also flies spaceships and planes. Magician is kind of overpowered but they deal quite well with this in the short run of the character by having her first couple of stories be about her showing her character and then challenging her powers with more threatening villains later.

Created by two veteran illustrators and writers in the medium: John Giunta, known for his work in Chamber of Chills, Tomb of Terror and Marvel’s Weird Tales. He also did work in series like The Fly, Cisco Kid and Mad Hatter. A co-creator was Malcolm Kildale, mostly known for Planet Stories, Ivanhoe and The Three Musketeers. Two experienced pulpmakers who would be best remembered for their original female creation for Centaur Publications.  

She began in issue 7 and her story stopped at issue 11, leaving us with only 5 stories to revise and not much else since she's rather obscure for such a historical character, her story started and ended in Amazing Man comics. The very first one shows her origin story in detail. Jane (6ᴇᴍ35 or Q-X3 as her last name changed in the second issue) leaves home after being abused and locked up by her aunt Kanza (her parents died), the escaped girl then proceeds to explore earth, she saves a spaceship and steals gold. The gold goes to a doctor who is searching for the cure for child paralysis and she also keeps a little bit to herself.




This is interesting because it shows some selfishness, although in a much minor degree than her generosity, that isn't normally added to heroic characters in media, instead of a squeaky clean ultra-benevolent wet blanket, Magician is a character who saves the day and fights against evil but her human side is also there, looking out for herself and making relatable decisions that never undermine her heroism.


The second story is far more relaxed, it shows a more casual side to her adventures. She stops a man from commiting suicide (saving men is another interesting new thing for comics of this time), punches the crook that pushed the man into suicide, fights a rogue bull, blows a train back into the tracks and prevents a robbery by helping a poor man who was about to steal from a bank. All of these problems convince our heroine that planet earth needs her and ultimately decides to stay and aid poor humans with her powers. 






In her third story we are introduced to a fully formed supervillain known as The Elemental, a demon-like bald monk who grows in size and battles Jane, she eventually solved the case by punching the men responsible for bringing him into this dimension with music, after the fiend vanishes, Jane destroys the building the villains inhabited. 





The next issue shows Jane being ambushed by mind-controlled air force men, she investigates and finds out there's a villain known as The Hood who is after her. She makes the lair of the villain crumble but the Hood escapes. 






This is an action-packed story with more average superhero tropes than the last few, we also see more of Jane's personality, she's portrayed as feisty and somewhat sarcastic, having a few quips directed at her enemies here and there. 



In the final story things get messy. At the verge of a civil war, the king of Mars sends one of his men to reach the Magician from Mars, the man tells her about the crisis and dies. Jane gets some government officials to give her a rocketship and go to Mars. Once there, she is greeted by the handsome prince Taal.



The king tells the Magician that The Hood is behind all of this. The king's men retreat as they take refuge at the castle. Jane commands the army to attack and fight for their kingdom. She shines in battle with her amazing strength.




Arriving at The Hood's lair, prince Taal is struck by the villain, falling to his death. Jane fights The Hood and much to her surprise, the villain is a villainess, her dreadful old Aunt nonetheless. The old hag vanishes when discovered, while unable to take over Mars, the witch took Jane's only love away from her.


The soldiers suppress the revolution, the kingdom of Mars is safe but Jane must say goodbye to her love, she swears revenge.


A quick and unintelligent comic that starts as a heroic coming of age story for young female readers, turns into a slice of life and ends as a tragic tale. So economic in its storytelling and art that it becomes charming and sweet for its brevity and simplicity. Not a bad start for the genre of superwomen in media.

Jane had powers few other heroes had in the same magazine, not even the strongest supermen were as all powerful as she was, typically the other guys from Amazing Man comics fell into the category of being John Carter or Tarzan but slightly modified, Magician from Mars showed us that female heroes could be just as strong, if not more than the average superjoe while also creating an astounding woman who was capable of being a scientist, a fighter, a hero and a savior. Magician from Mars is without a doubt the first powerful role model in feminine comics. 

Tuesday, December 19, 2023

Johnny Guitar (1954) Early mainstream example of a western gunslinger girl


When discussing the topic of western girls, one of the first images that may come to mind is that of a pants-wearing and gun-firing Joan Crawford in her red shirt as seen in the 1954 film Johnny Guitar directed by Nicholas Ray. Far from a total classic, this pure western melodrama hides a strangely endearing and passionate drive throughout it, one that comes mostly out of the rivarly between its two central female characters: Vienna and Emma. 

The tomboyish Vienna.

The ruthless Emma.

Vienna (Crawford) is a tough-as-nails saloonkeeper who is antagonized by Emma (Mercedes McCambridge), a local lady who managed to turn the townspeople against Vienna. Emma does this because she holds resentment towards the lad-ette for stealing her man (typical romantic motivation).




Crawford's portrayal of her butch-like character pretty much cemented her status as a queer icon, everything in her career; from Baby Jane to Mommie Dearest, just screams "camp and melodrama" which is an inescapable sensibility in LGBT culture. Here, she's described as "more of a man than a woman (even manlier than most men)" and frequently emasculates her workers when giving them orders (perhaps unintentionally). 



Emma doesn't mess around either, she takes action when needed and conveys a certain savage aggressiveness when attempting to bring down her nemesis. A worthy antagonist of more "feminine" and discreet lady-like charms than Vienna but equally as tough and bordering on the deranged.  






The final battle is a legendary western climax. The two ladies face off at a cabin as the males watch in awe. Emma lifts her weapon and Vienna does so as well but Emma shoots first, hurting her shoulder. Dancing' Kid cries for Emma and runs up to her but the lady puts a bullet in his head. She continues shooting and goes up to Vienna, who is already waiting for her and in one swift and precise shot she manages to kill the villainess, making her fall to the side of the stairs and roll downhill.







Classic stuff. Worth watching if anything for those small moments. 




Featured Post

Cutie Honey (1973) - Action magical girl

Today we are gonna talk briefly about a very influential anime and manga character. Cutie Honey was the creation of masterful manga artist G...

Popular Posts