Pink Force Commando (1982) Movie Review

Pink Force Commando (Hong fen you xia, Ninja Fighters, Pink Force) is an action adventure martial arts Hong Kong film directed by Kevin Chu (Chu Yen-ping). It stars Brigitte Lin, Sally Yeh, Chung-You Chang, Yang Hui-Shan, Chun-Chun Hsu and Hao-Yi Liu. It is sometimes considered to be a semi-sequel to Golden Queen's Commando (1982) by the same producer and crew. It's also a film that collects a variety of mixed components from fantasy and genre cinema as a whole.

Three female bandits steal a great amount of gold and some time later the other two find out their leader, Jackal, has used the money for her own pleasure and businesses. She has paired up with her Nazi Commander lover and now wants her old partners dead.

Like Golden Queen's Commando here we have a mixture of genre components and narrative scenarios that are mishmashed, taken from other movies and then put into a blender, only to change the protagonists of the stories to a diverse group of action girls dressed in striking and contrasting outfits in order to be easily identifiable. This time we have the usual thugs but also Nazi officers, cowboys, Klansmen and magical heroines as well, it's a seemingly never-ending list of bizarre mashups that pay off in one climactic grand battle. 

As I mentioned before, the movie takes not only inspiration from stuff we have seen in other movies but it also features a variety of scenes taken directly from Golden Queen's Commando and spliced into the movie in a haphazard manner, always in a manner so clumsy that the quality of the footage itself is mismatched and contrasts highly from the footage that's original to this movie. Scenes like the card game trick, the primal wrestling match and the drunken samurai's humiliation were put into the movie but they come out of nowhere and have really nothing to do with the rest of the movie, seeming completely disconnected from their original context. Not only that but we also have music that's stolen from movies like The Good, the Bad and the Ugly (1966), Conan the Barbarian (1982) and even Investigation of a Citizen Above Suspicion (1970). The former and the latter movies being scored by Ennio Morricone isn't a surprise since Queen's Commando did this as well, so at least these two flicks have some bangers music-wise.

The storytelling is about as flawed as you would expect but also eclectic and fun for a film made under such a weird production process and carefree attitude. The plot takes insane twists and detours to the point where a good amount of it becomes nearly incomprehensible and borderline ludicrous once the footage from Queen's Commando shows up to confuse you even more. I wouldn't want to be the poor bastard who watched this movie before Queen's Commando and without any clue as to how this film was made because that must have been a truly strange experience. Nothing is well glued and events rarely connect coherently, you pretty much have to put together the entirety of the film in your head, being able to identify the important moments and plot points by the way the film conveys which point of the story you are technically in, for example, you know you are at the climax because there's a great battle with two opposing armies about to take place.

I gotta say that by having much of the same cast we are able to witness some badass performances by the actresses and the wonderful stunt work during the fights. The leading ladies from this movie are not that interesting as characters, when compared to a very solid and perfectly defined roster of tough girls like the one from Queen's Commando, but the core idea of the movie is quite interesting as a jumping off point to then stick a good amount of crazy scenes after the introduction.

It's a fun time if you know what you are getting into. Only recommended for Z-grade actionsploitation film fans.

Gall Force: The Revolution (1996-1997) Anime OVA Series Review

Gall Force: The Revolution was an anime OVA series released from 1996 to 1997 and directed by Yukihiro Matsushita (Star Ocean EX, Hunter x Hunter, Rave Master) with a screenplay by franchise creator Hideki Kakinuma. The cast includes Kotono Mitsuishi, Kikuko Inoue, Ai Orikasa, Michiko Neya, Urara Takano, Chisa Yokoyama, Kyôko Hikami, Tomo Sakurai, Fumie Kusachi and Chiharu Taira. It 's the eighth and final installment in the Gall Force media franchise, lacking the usual direction by Katsuhito Akiyama.

In this version we don't find any Paranoids, instead we see a galactic civil war between West and East forces of the all-female Solnoids. An anti-matter gun is believed to be what will end this war once and for all with total destruction of both sides. The Starleaf (Rabby, Patty, Rumy and Eluza), along with enemy pilot Lufy, this time encounters an organization trying to go back to the way life used to flourish, because of this they have created children as well, attempting to save their race and leave war behind.

Remember when I said that New Era could be enjoyed by people who had problems with the first Gall Force movie since it was a new version of the story? I think that applies more towards this OVA series because it is quite literally a remake of Eternal Story, touching upon very similar plot beats and points (not only are the characters and the setting pretty much the same but we also have the monster on the ship and the garden of eden location with human children), however, is more akin to the sensibilities of a late nineties science fiction series instead of an eighties feature film. This means that the interactions weigh in a little bit more on the story and the focus is on the plot rather than on the visual treatment and expression, which creates slightly more rounded characters to a degree.

My way of thinking when it comes to remakes and reboots is simple: make changes that are worthwhile but keep the essence intact. This one takes some components that had some relevance and importance in the original plot but expands upon them with more elements and adds more things on top of what we knew already to give it a new spin, such as the internal conflicts between the Solnoids, which have far more impact and change the course of the narrative to a new area, with more memorable villains as well.

The animation is nothing really astounding but it's competent enough to never really feel cheap or defective. There's a variety of action, with shootouts, laser-sword encounters and spaceship battles. None of it looks bad and the direction and the storyboarding reach the level of satisfying. With the limitations that an average OVA product can have, the team did a good job.

While a somewhat more standard sci-fi adventure with space cruisers and space ship combat, the last entry in the Gall Force series still takes advantage of the same premise to come up with some fun scenarios and enjoyable cackling villains. This is also the first and only Gall Force piece of media to explicitly touch upon lesbianism, which is odd considering the concept. 

A recommended mini-series for any Gall Force completist and even for those who had some issues with the other shows and movies.