Bloody Mallory (2002) Movie Review

Bloody Mallory is a 2002 action horror film, a Franco-Spanish co-production directed by Julien Magnat, written by Magnat and Stéphane Kazandjian. It stars Olivia Bonamy, Adrià Collado, Jeffrey Ribier, Laurent Spielvogel, Valentina Vargas, Julien Boisselier, and Thylda Barès. The film is also scored by prolific Japanese movie and anime music composer Kenji Kawai. Inspired by the likes of Buffy: the Vampire Slayer, Xena: Warrior Princess and the entire underground geek fandom of the late nineties and early two thousands.

Mallory is the leader of an anti-paranormal commando group that consists of a child with telepathic powers, a drag queen explosives expert named Vena Cava and a government agent named Durand. When a group of mysterious vampires kidnap the pope, Mallory is tasked to rescue him in order to save mankind.

This is a highly kinetic filmic experience and with a very playful and juvenile energy that never becomes tiresome. A fun romp from start to finish, a film that has one foot in the anime/manga storytelling and stylistic flourishes and another one in the unleashed music video editing and montage. However, none of this means that the film is empty nor that it has zero substance as the characters are all original and fresh, they have very well defined personalities and roles, and they also have some engaging conflicts as the script takes some very sharp turns that go to some very distinctive places. Aside from the frenetic action, there are a lot of poignant moments that open and close the film to give it more tonalities. This insane storyline actually grabs you and takes itself with enough seriousness to never treat it as disposable nonsense, it's more than a one joke sketch.

I will say they also have some great production values for its low budget. The action itself is very lively and well constructed, it takes more than one trick from both Hong Kong and Japanese action cinema, which helps to make things more dynamic. You end up liking the world they constructed because it's so lighthearted and creative. Its aesthetic incorporates very striking anime-like stylizations and energetic fight choreographies as mentioned before, but some other scenes have that European flavor that achieve a lyrical feeling and look.

Highly recommended for people looking for a delightful horror flick with a female action protagonist. There aren't many of those and this one is a pleasure.

Sukeban Deka (1991) Anime OVA Review

Sukeban Deka is a 1991 action crime anime written and directed by Takeshi Hirota based on a manga by Shinji Wada. The manga series was highly successful in Japan, which gave way for a full live-action TV series and 3 films inspired by the same story. This particular OVA starred Kazue Ikura, Akio Ōtsuka, Akira Kamiya, Hiroshi Takemura, Kenji Utsumi, Masako Katsuki, Naomi Uchiyama and Saeko Shimazu. Juvenile delinquents were a pretty big issue in Japanese society at the time and media related to it gave way for a fiction subgenre that focused on the female variety and it's subculture, Sukeban Deka (Delinquent Girl Detective) being one of the prime examples.

Saki Asamiya is a young delinquent who gets taken out of her cell by the police in order to go undercover into the social structure of a dangerous school ruled by the wealthy Mizuchi sisters, girls who belong to a crime family and fight for control and to be head of the organization. Saki does this in order to get her mother out of death row and to gain her freedom.

Such a premise gives us an action-filled vehicle that goes at 200 miles per hour and has very little time to breathe or rest, establishing relationships, settings and ideas in little time but with a lot of dynamism and a playful nature. It's stylish and lyrical, highly poetic and potently dramatic. It's an excellent piece of the genre that takes advantage of its medium. Everything is executed with precise skill by the animators and the crew.

This is probably the best example of an OVA series that, while surprisingly short, is able to construct a proper dramatic structure that has the same effect in getting you attached to its characters, both main and secondary, in such a small time frame. One example is the girl that the protagonist meets and is then attacked at the end of the first episode. The series doesn't waste time and introduces her right away. Her dialogue is succinct and to the point but the VA's give the lines some personality and emotion. We have some brief scenes of her that are well juggled between other plotlines but also presents us her intimacy (her home, her hobbies, her aspirations, what she sees in life) that gets us closer to her in a single brief but effective scene (through the main character's point of view as well). Because of this, when the tragic event happens we are more invested in her as a person, the stakes moving higher and higher with every event and we understand why the protagonist cares at the same time.

I really love how overdramatic and heightened character's reactions are. The VA's really give it their all and embody their characters with perfection. They yell and grunt and shriek in the right tone and register to make everything more expressive and understandable. This doesn't stop at the voice actors' performances, the direction also emphasizes these intense emotions via angles and visual techniques in order to solidify and express a needed emotion.

The constant array of action and events might have gotten tiresome it wasn't for the tricks they pull and the clever ways they are able to disguise the corners they cut, either by cutting away from the most laborious fight sequences with many characters by focusing on another character while we assume a battle takes place or by using eye-popping visuals to summarize events. You can tell, because of the fast pace, that this was a TV series or a long manga that had time for everything to take place before it became a 40 minute two-part OVA (80 minutes at most) but it all helps to give it some energy and make it consistently entertaining without losing the meat of the story.

A totally recommended OVA in every sense. It's quick and strong. Obligatory for all anime fans.

Bimini Code (1983) Movie Review

Bimini Code is a 1983 action adventure movie directed by Barry Clark and written by Gabrielle Rivera and Barry Clark. It stars Vickie Benson, Kristal Richardson, Rosanna Simanaitis and Frank Alexander. It's one of those movies that spawned after the success of Indiana Jones at the box office that features treasure hunters, mixed with some old school sea adventure but with female leads. The film is now sort of obscure, rarely seen and badly reviewed; it's hardly a popular flick and the available copies are of bad quality.

Stacy (Vickie Benson) and Sheryl (Kristal Richardson) are two thrill-seeking adventurers who are tasked with finding a kidnapped boy, they realize what's at stake when evil rich countess Magda von Cress searches for Mayan power stones at the Bermuda Triangle.

While this is a satisfying flick, the procedures are mostly TV-level in their execution with very crude shots lacking style and a static camera work that reveal the background of the filmmakers but also give the film a simplistic and precise nature that strips down to the bare essentials the elements that it features, focusing on the characters and the plot.

The storytelling is a bit wonky because of the way the film is structured it presents itself more like a random episode of an on-going TV series rather than a proper movie with introductions and character moments or arcs for them, it unfolds as such through most of it as it has very little regard for tapping into the dramatic potential of the scenario, instead just presenting some action sequences and brief moments of intrigue strung together without much to really glue them together as a story and even less emotional substance. Maybe that's why it had a small lifetime on TV or home video since it barely registers in your mind after watching it.

The action is swift and well done, the constant array of fun and cheesy comic book peril sequences involving scuba diving around sharks and karate fights do give the movie not only a charming aura of lite entertainment but also add to the fast pace and the easygoing attitude it has and that the carefree characters also embody. The main girls are lovable and have some nice moments as friends and partners, they have a solid bond and chemistry but it's all obscured by the rather pedestrian script. The cheesy villain is too over-the-top but I honestly loved that about her. We don't have enough malicious ladies with eyepatches doing evil schemes anymore.

Not a hidden gem but an easygoing and watchable piece of obscure adventure cinema that can only be recommended to B-movie fans who wanna get into some uncharted territory.