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Showing posts with label sisters. Show all posts
Showing posts with label sisters. Show all posts

Saturday, March 28, 2026

Cat's Eye (1983-1985) Anime Series Review

Tsukasa Hojo's Cat's Eye was a manga series (one of the highest selling) serialized in Shonen Jump from 1981 to 1985 and was eventually adapted into an anime series that ran from 1983 to 1985 with 73 episodes. The series followed the Kisugi sisters: Rui (older sister), Hitomi (middle sister) and Ai (kid sister), a trio of art thieves who under the alias of Cat's Eye try to gain back their missing father's art collection from museums and private collectors. Detective Toshi, female inspector Mitsuko and the police chief go after Cat's Eye whenever the girls leave a card telling them when and where they will strike next, but they are almost always outsmarted by the girls and most of their heists tend to be successful. A major conflict is introduced by the fact that Toshi is Hitomi's boyfriend and he has no idea that she is part of Cat's Eye, even when the café the girls run has that exact name.



Influential and empowering, the show was known for its highly capable and skilled female protagonists, even creating a very intimate feeling of sisterhood featuring clashing personalities that give us some funny arguments between the trio. Strong, clever, cunning, daring, deceiving, just, loyal and confident, these sisters are not only role models but also present a very modern version of female thief characters in fiction as they are not just romantic interests for others but people with full lives and motivations. Along with Dirty Pair, these were breakthrough incarnations of older tropes.





When it comes to the anime you can expect some fantastic J-pop and Eurobeat music performed by Anri accompanying rhythmic aerobic dance animation during the opening as nearly psychedelic abstract visuals showing the girls moving their bodies with fluidity and grace, sometimes hand drawn and other times rotoscoped. The ending theme Dancing with the Sunshine is also a true banger and both songs fit the overall style quite perfectly.





The story structure in each episode is kind of formulaic and somewhat loose in continuity but not completely episodic either. Every episode will feature Cat's Eye hatching a scheme to steal a painting, but some unforeseen event or element will destabilize it momentarily until the girls find a way to turn things back around as they pull tricks to fool Toshi and the policemen after them. Sometimes the girls are facing mobsters, other thieves, motorists, kidnappers or rich guys with deadly traps in their compounds. There's enough variety and intrigue, sometimes beginning with a baffling or out of nowhere visual or storytelling device that throws you off but that begins to make sense once the plot unfolds.







The talent of the writers relied on coming up with intriguing way of making you guess how the heroines will escape capture and the tricky and convoluted techniques they could employ to create a perfect alibi and never be caught outside of the café, although, sometimes it feels like they are cheating with some almost incredible or tricky twists. However, these tricks also give it some charm even if at some moments they stretch verisimilitude a bit because there are a lot of contrived plot points and coincidences in their plans, either that or they rely on the police officers and detectives being too dimwitted but nothing that truly breaks the story at any point.






Some aspects of the relationship between Toshi and Hitomi are a bit too unbelievable as there are only so many times one can let a coincidence fly by without the characters wising up to the real identity of the thieves but at several points Toshi comes close to solving the case by putting together the girl's patterns and the connections to the artist and the crimes but things don't quite work out for him.




The romance aspect is vital to the show's narrative as it really brings contradictory emotions to any kind of possible resolution that you can imagine. You want Toshi to succeed so he can marry Hitomi, but you don't want the girls to be caught either. Other pieces of media like the 1997 movie deal with this part of the story in a different way.




Director Yoshio Takeuchi did a great job at putting together a faithful adaptation of the spirit and story elements from the manga into an exciting and thrilling show that consistently did enough variations of its premise and formula without feeling stale or repetitive. I wont spoil the ending but I gotta say that incorporating the fictional element to play out a possible closure to the main storyline but without actually having it take place in the world of the series was a stroke of genius. It was a perfect ending that's not really an ending.



A highly recommended series for anime fans or lovers of caper stories.


Tuesday, February 3, 2026

Honor and Glory (1992) Movie Review

Zong heng tian xia (also known as Honor and Glory, Angel the Kickboxer, Power Heat and Naked Fists) is a 1992 crime action movie directed by legendary actionsploitation film director Godfrey Ho (here under the pseudonym Godfrey hall), this being his first American feature (he's also known in the subgenre for Angel Enforcers, Undefeatable, Lethal Panther, Princess Madam, Manhattan Chase and Terminal Angels), and written by Ho himself under the other fake name Herb Borkland. It stars Cynthia Rothrock, Donna Jason, John Miller, Chuck Jeffreys and Robin Shou.


The film follows FBI agent Tracy Pride (Rothrock) as she travels from Hong Kong to America in order to investigate a case of extortion and murder linked to corrupt businessman Jason Slade (John Miller), with the help of her partner, Dragon Lee (Shou). She reunites with her sister Joyce (Donna Jason), a news reporter who becomes her new partner as well. Both also cross paths with their absent father John, who basically left them to be raised by a kung fu master, played by real life sifu Tai Yim. They also meet with one of Slade's bodyguards, Jake Armstrong, whose moral compass makes him switch sides and join Tracy in her search for capturing the villain.



Now with enough time and resources to put together a full feature, Godfrey once again shows that he has the skills to be not only coherent but rather notable as an action director. The characters speak the language of martial arts and communicate with ease through movements and physicality. The best example of this is the small fight between Tracy and her sister once they see each other again while trying to snatch the car keys from each other. A little bit of their dynamic and background is expressed there without having to say much. A highlight.




The rest stands up to par, delivering some potent choreographies expertly executed and shot. While most copies of the film are somewhat shoddy, I think you can still see through the defects of the VHS version and appreciate the very sharp and striking visuals by DP Michael Law (Lethal Panther, Undefeatable). The fight sequences have a lot of energy and rhythm, allowing the performers to show off their moves and forms quite organically and swiftly.




The performances are very alright. None of them rise above what we have seen of them before or what we might expect but none of them are actually bad. The only issues I had with the film is that it was a bit more disjointed than I remembered, losing steam whenever the main plot wasn't in motion. The emotional or dramatic scenes are not particularly powerful either, and Joyce gets kind of underutilized in the second half of the film. Other than that, it's a very swift and short experience running just 86 minutes but getting to the good stuff fast and often enough to entertain.

Recommended for action movie fans and Rothrock enthusiasts.

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